©2018 by Michael A. Levine. 

October 31, 2018

"The moving song, written by Levine, is the closing credits song for the documentary 3100: Run and Become. The film, directed by Sanjay Rawal and scored by composer/songwriter Michael A. Levine, focuses on aspirants participating in the annual Self-Transcendence 3100 M...

June 16, 2018

Lovely to be mentioned alongside folks like Chris Lennertz, Jeff Russo, Bruce Broughton, John Debney, Joel McNeely, and the guy who arguably got me into this crazy business, Harry Gregson-Williams. And, oh yeah, he mentions that other Williams guy, too. As usual, great...

June 16, 2018

This new video shows an insightful look into how the music from Siren evolved from a first-time demo, to a polished final cut.

May 1, 2018

I worked for Hans Zimmer for about 8 years, 5 of which were in a studio at Remote Control, his facility in Santa Monica. Since leaving Remote, many people have said to me, usually in a conspiratorial tone of voice, things like this: Hans doesn’t really write his own mu...

April 17, 2018

In our second installment of "Inside the Composer's Studio", we dive deep into the creation of Donna's voice, as seen in Episode 4 of Siren.

April 4, 2018


Introducing 'Inside The Composers' Studio' - a new V-log where we will drop a few pearls on the making of the music for Siren, airing Thursdays on Freeform. Today we swim through Episode 1!

February 2, 2018

Michael is thrilled to curate the boutique music production library MPATH, a library dedicated to thinking music. Learn more about the launch and MPATH at APM's blog here.

November 9, 2017

“Music supervisors have made, and continue to make, significant contributions to television storytelling,” said Michael Levine, senior governor of the music peer group. “We are delighted to be adding their voices to our membership.”

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March 22, 2017

Hear the origin story of the Kit Kat Jingle on the Food52 Podcast.

Listen to the interview here

March 22, 2017

Composer Michael A. Levine talks about writing the theme for Resident Evil VII: Biohazard, remixing a Tears for Fears song that Lorde sang, working with Harry Gregson-Williams, and two of his concert works (one features pedal steel guitar, the other features musical sa...

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